Dr. Sarah W. Lynch

Experience and CV

Editing and Translation Work

  • Numerous articles, chapters, and an entire edited volume in English
  • Lectures and conference papers, including text on slides
  • Development of arguments and improvement of clarity
  • Abstracts, CFPs, conference programs, public-facing information
  • Creation of style sheets for edited volumes
  • Copy editing and proofreading
  • Assembling bibliographies and following style sheets (Chicago style, MLA, and others)
  • Work with Microsoft Office suite, Scrivener

Written Work

  • Academic writing – book, chapters, journal articles, reviews, and catalogue entries
  • Grant writing – successful applications for fellowships and grants, including: Villa I Tatti; Emerging Talents Initiative, FAU Erlangen; Herzog August Bibliothek, Wölffenbüttel; DAAD; Zentralinstitut für Kunstgeschichte, Munich; Fulbright
  • Abstracts and CFPs
  • Lectures (both to general and academic audiences) and conference papers
  • Teaching material and classroom lectures

Edited or Translated Texts (selected)

Edited Volumes:

edited 19 essays in English in: Sylva Dobalová (Hrsg.), Ivan P. Muchka (Hrsg.), Looking for Leisure: Court Residences and Their Satelites 1400-1700, Heidelberg: arthistoricum.net, 2018 (PALATIUM e-Publications, Band 4). https://books.ub.uni-heidelberg.de/arthistoricum/catalog/book/418

edited 7 essays in English in: Strunck, Christina, ed. Faith, Politics and the Arts: Early Modern Cultural Transfer between Catholics and Protestants. Harassowitz Verlag in Kommission, 2019.

edited 3 essays in English in: Strunck, Christina, ed. Markgräfin Wilhelmine von Bayreuth und die Erlanger Universität: Künste und Wissenschafteni m Dialog. Michael Imhof Verlag, 2019.

edited 5 essays in English in: Strunck, Christina, ed. Kulturelle Transfers zwischen Großbritannien und dem Kontinent, 1680-1968. Michael Imhof Verlag, 2019.

Edited Chapters and Articles:

Barbara Zibell, Thinking Spatially about Care Work, forthcoming, Routlidge, 2025.

Strunck, Christina, “How Anselm Kiefer Deconstructs French Nationalism: His Recent Works on World War I as a Response to the Architecture and Decoration of the Pantheon in Paris.” In Bild-Raum-Wissenschaft / Spatially Embedded Art, edited by Christina Strunck. Deutscher Kunstverlag, 2024.

Strunck, Christina, “The King’s Staircase at Hampton Court Palace and the Visual Culture of Understatement. A Baroque Conversation Piece by Antonio Verrio and Matthew Prior.” In Il palazzo reale e immaginato: conversazioni, descrizioni, rappresentationi, edited by Francesco Freddolini et al. Skira, 2022.

Strunck, Christina, “Female Court Artists: Women’s Career Strategies in the Courts of the Early Modern Period.” In Women Artists in the Early Modern Courts of Europe: c. 1450-1700, edited by T. L. Johes. Amsterdam University Press, 2021.

Other: abstracts, CFPs, texts for conference papers and lectures, illustration captions, text on PowerPoint presentations.

In the Grotto by Niki de Saint Phalle, Großer Garten, Herrenhausen, Hannover

Dr. Sarah W. Lynch

EDUCATION

2017 — Ph.D., Princeton University, Department of Art & Archaeology.
2012 — M.A., Princeton University, Department of Art & Archaeology.
2006 — M.A., Warburg Institute. Cultural and Intellectual History, 1300-1650.
2005 — M.A., Courtauld Institute of Art. Art in Florence in the Age of Lorenzo de’ Medici.
2004 — B.A., Smith College, Art History and Italian.

EMPLOYMENT (selected)

2017-2025 — Lecturer/Wissenschaftliche Mitarbeiterin, Art History, Friedrich Alexander University of Erlangen-Nuremberg.
2020-2021 — Hanna Hiel Fellow, Villa I Tatti, The Harvard University Center for Renaissance Studies, Florence.
2016-2017 — Visiting Scholar, Department of Civilizations and Forms of Knowledge, University of Pisa.