Editing and Translation Work
- Numerous articles, chapters, and an entire edited volume in English
- Lectures and conference papers, including text on slides
- Development of arguments and improvement of clarity
- Abstracts, CFPs, conference programs, public-facing information
- Creation of style sheets for edited volumes
- Copyediting and proofreading
- Assembling bibliographies and following style sheets (Chicago style, MLA, and others)
- Work with Microsoft Office suite, Scrivener
Written Work
- Academic writing – book, chapters, journal articles, reviews, and catalogue entries
- Grant writing – successful applications for fellowships and grants, including: Villa I Tatti; Emerging Talents Initiative, FAU Erlangen; Herzog August Bibliothek, Wölffenbüttel; DAAD; Zentralinstitut für Kunstgeschichte, Munich; Fulbright
- Abstracts and CFPs
- Lectures (both to general and academic audiences) and conference papers
- Teaching material and classroom lectures
Edited or Translated Texts (selected)
Edited Volumes:
Sylva Dobalová (Hrsg.), Ivan P. Muchka (Hrsg.), Looking for Leisure: Court Residences and Their Satelites 1400-1700, Heidelberg: arthistoricum.net, 2018 (PALATIUM e-Publications, Band 4). https://books.ub.uni-heidelberg.de/arthistoricum/catalog/book/418 (19 essays in English)
Strunck, Christina, ed. Faith, Politics and the Arts: Early Modern Cultural Transfer between Catholics and Protestants. Harassowitz Verlag in Kommission, 2019. (7 essays in English)
Strunck, Christina, ed. Markgräfin Wilhelmine von Bayreuth und die Erlanger Universität: Künste und Wissenschafteni m Dialog. Michael Imhof Verlag, 2019. (3 essays in English)
Strunck, Christina, ed. Kulturelle Transfers zwischen Großbritannien und dem Kontinent, 1680-1968. Michael Imhof Verlag, 2019. (5 essays in English)
Chapters and Articles:
Strunck, Christina, “How Anselm Kiefer Deconstructs French Nationalism: His Recent Works on World War I as a Response to the Architecture and Decoration of the Pantheon in Paris.” In Bild-Raum-Wissenschaft / Spatially Embedded Art, edited by Christina Strunck. Deutscher Kunstverlag, 2024.
Strunck, Christina, “The King’s Staircase at Hampton Court Palace and the Visual Culture of Understatement. A Baroque Conversation Piece by Antonio Verrio and Matthew Prior.” In Il palazzo reale e immaginato: conversazioni, descrizioni, rappresentationi, edited by Francesco Freddolini et al. Skira, 2022.
Strunck, Christina, “Female Court Artists: Women’s Career Strategies in the Courts of the Early Modern Period.” In Women Artists in the Early Modern Courts of Europe: c. 1450-1700, edited by T. L. Johes. Amsterdam University Press, 2021.
Other: abstracts, CFPs, texts for conference papers and lectures, illustration captions, text on PowerPoint presentations.
Dr. Sarah W. Lynch
EDUCATION
2017 – Ph.D., Princeton University, Department of Art & Archaeology.
2012 – M.A., Princeton University, Department of Art & Archaeology.
2006 – M.A., Warburg Institute. Cultural and Intellectual History, 1300-1650.
2005 – M.A., Courtauld Institute of Art. Art in Florence in the Age of Lorenzo de’ Medici.
2004 – B.A., Smith College, Art History and Italian.
EMPLOYMENT (selected)
2017 – 1 October 2017 – August 2025: Lecturer/wissenschaftliche Mitarbeiterin, Institute for Art History, Friedrich-Alexander University, Erlangen-Nuremberg.
2020-2021 – Hanna Kiel Fellow, Villa I Tatti, The Harvard University Center for Italian Renaissance Studies, Florence.
2016-2017 – Visiting Scholar, Department of Civilization and Forms of Knowledge, University of Pisa.
Dr. Sarah W. Lynch 